I took this photo during my time in Tokyo. It is of a lotus about to bloom. I’ve always loved the Buddhist view of a lotus – as a lotus can grow out of mud and blossom above the muddy water, we too can rise above the mire and messiness of our lives. We can transform.
Last week we had our final Te Papa Tupu Workshop in Wellington. We kicked off with HUIA Executive Director Eboni Waitare inviting us to reflect on our journey with the programme, before meeting with our mentors: James George, Jacquie McRae, Simon Minto and Whiti Hereaka. That session was followed by informative and stimulating workshops: point of view with Paula Morris, story arc with Simon Minto, marketing and personal branding with Waimatua Morris and publishing with Robyn Bargh. We finished up by sharing thoughts on where we see ourselves going with our work, before heading off to drinks and nibbles with Creative New Zealand, Te Puni Kōkiri and Huia Publishers’ staff, and finally dinner and cocktails at The Library – an aptly named and decorated watering hole for book nerds like us. It was a full day, and I believe we all left with full hearts … yes, I am a giant cornball. I admit it.
At the mentor meeting, James George asked me what was going on, as I’d said I was in a bit of a slump. I explained that I was having difficulty with creating more of a narrative spine in some of my stories. I was feeling blocked, and I wasn’t sure why. As always, he cut to the heart of things very quickly:
find some other place where there is some energy in your work and work on that / a piece of description, a piece of dialogue / something poetic and wistful / what are your strengths in this collection? / what are you good at? / don’t look at what’s not there / maybe it isn’t there / have confidence that you have fascinating subject matter that you can invoke truthfully / you may have to confront a truth about yourself that you are terrified of / let your characters speak their truths to you / make the undercurrents noisier / more disruptive / pile these themes / not to fix them / embrace who you are and what you do.
Once again, I am reminded how fortunate I am to be here, now.
During the workshop discussions, James George made a great point that HUIA invests in writers, unlike other publishing houses who harvest. This makes HUIA very unique. I feel incredibly supported and nurtured by HUIA, and by each and every person who is a part of the HUIA whānau. I am so grateful that I was able to thank Robyn Bargh personally for what she has built for us. What she has created is phenomenal, and a success story. This opportunity came at a time in my life when I deeply needed someone to believe in me. Take a chance on me (lol Nadine). I was so ready for it. It’s been life changing. It’s been emotional. It’s now my dream that we will take this beautiful taonga that HUIA has given us and share our stories on the world stage, to inspire and uplift our people and make them proud.
Colleen Maria Lenihan (Te Rarawa, Ngāpuhi) is a photographer. On returning to New Zealand in 2016, after fifteen years in Tokyo, she began writing short stories. In 2017, Colleen received an Honourable Mention for the NZSA Lilian Ida Smith Award and a scholarship from The Creative Hub and Huia Publishers. She is thrilled to be selected for Te Papa Tupu 2018.