We are nearing the halfway mark of our journey and I have just completed the manuscript in its rawest form – the unformed clay if you will.
My mentor has allowed the following week to go over this first draft and begin the editing process, so I am a bundle of nerves. Even now, I am finding some of its words distracting and some themes underdeveloped, but I wonder if anyone else would feel what I feel when they read the book?
Would Michelangelo find fault in the Sistine Chapel? Probably … but could you? This is the lonely and painful art of writing – and with it comes an age-old problem – taste.
I have written my book with a target audience in mind, and the dream of attracting people who normally wouldn’t read that particular type of novel, but books are an acquired taste – what reads well for some does not often read well for others. There will be detractors of your work and fans alike.
I had dinner with friends the other night, followed by a glass of wine. I commented on its taste, and how much I enjoyed its flavour, but one friend told me that it was too sweet, and another said it had a strong taste of blueberry.
I swirled the wine about in the glass and asked myself, ‘What do I know about wine?’ and the honest answer was – nothing. I did not find it overly sweet and I certainly could not detect the blueberry – but I was adamant about one thing – I certainly enjoyed the glass, and quickly poured me another to prove the point.
It is the same with books – I know as much about wine as I do books – all I know is what I prefer. No matter how much a book is recommended, there will always be a polarisation amongst its readers. There are those who rave about ‘Treasure Island’… and there are those who, like me, have not gotten past the first chapter.
Like wine – given time we will discover if my book fulfils the desire of my intended audience – I only need to bottle it. When the cork is popped, I have to be satisfied in my work.