Larree Lust ponders purpose and narration
The writing process.
Elation, anxiety, doubt, fear.
Despite which I am looking forward to this journey over the next six months to finish an ongoing project, a draft of a novel that has been languishing. The support of the Te Papa Tupu programme is an opportunity and a privilege to be involved with.
So, timelines, character lines, sketches, charts – the paint on my office wall is taking a beating.
And this journal is proving to be difficult. At least with a novel the author can hide in the story, a journal seems far more transparent.
Excerpt from project: novel
Boys wait, bundled together into the large bedroom above the front verandah. They sit three to a bed, against the window sill, squat on the floor throwing dice, toss cards into corners, wage pennies, examine the dirt under their fingernails. Jokes fall on silence, as they swear at each under their breath. The once teasing, jovial, blithe voices subdued into apprehension. Sarah slips into the room, Hone barks at her to get back where she belongs.
They wait, until one at a time they are summoned down stairs to the TV lounge turned interview cell. Some slink, others strut, a few saunter. Hands in pockets, held tight to their sides, in fists, sweaty palms wiped on the sides of their jeans. They stand, are stood, answer yes and no to questions they probably do not understand, asked by imperious men in suits and white shirts with slack ties, before being sent back upstairs with strict instructions not to discuss, with anyone. They did not need to be told. What did they have to tell? They mutter under their breaths.
In the kitchen Iri bustles from the tea urn to slicing fruit cake and cutting the crusts from tomato sandwiches. She serves the men in the suits; the uniforms help themselves from the sideboard in the front hallway. Pap says for her to sit down, it’s not your fault; let the girls get the tea. But Iri keeps her hands busy, her eyes down; it’s what she does best.